The aim of this study program is to prepare the graduate:
with a high level of skills in the performance area, including gaining control over a broad repertoire of the main field of specialization
with a deep knowledge of the history and repertoire of instruments / voice
with an orientation in the aesthetics of art including a knowledge of the development of artistic trends
with practical experience gained through working on faculty or university projects (solo projects, chamber and orchestral projects often with international participation) and through experience gained from studying abroad
with adequate ability to create research work
with a knowledge of the principles of pedagogical work and an orientation in the current trends of teaching methodology in the given specialization
Graduates of Historical Performance demonstrate the following knowledge, skills and general competences:
Knowledge:
they show a wide knowledge of the repertoire in their relevant specialization and the repertoire of chamber ensembles
they demonstrate the ability to explain the compositional principles and tectonics of the studied musical piece and a clear view of its interpretation
they master the basic principles of pedagogical work and focus in detail on the current trends of the teaching methodology of their given study specialization which has an orientation in literature and foreign sources
they have a deep knowledge of the field of history and literature of instruments within their given specialization, of music history, of aesthetics, and the development of artistic trends including an orientation in foreign literature and further develops them
they are orientated in contemporary trends in pedagogy and psychology
they know the key financial, commercial and legal aspects of the music profession
Skills:
they demonstrate highly profiled skills in their specialization, with an emphasis on solo literature and chamber performance
they demonstrate skills in interpreting demanding compositions of a repertoire in a given specialization
they can be a flexible member of chamber and orchestral ensembles,
they have adequate practical skills in the field of leading chamber ensembles
they have a command of a professional vocabulary, including foreign language musical terminology
they are able to follow the current trends in their given specialization and can integrate them into their professional development
they know the basic principles of creating a professional text
they are competent in the use of technology and its applications
they identify key questions about their artistic practice and they conduct artistic self-reflection
General competencies:
they realize the ethical and social dimensions of artistic activity and can take it into account in their work
they observe general ethical principles
they are in control of basic psychological principles, can work in a team, can communicate effectively with their fellow members and are able to express themselves verbally using appropriate structures
they are capable of abstract thinking, analysis and synthesis
they are capable of self-reflection, are open to the opinions in their surroundings and know the principles of democratic behaviour
they work creatively with their acquired knowledge and skills
Field of study specification | |
---|---|
Code | Hhdh |
Type | Follow-up Master’s study programme |
Degree | MgA. |
Length of studies | 2 Years |
Field of study guaranteed by | Faculty Of Music |
Accreditation | |
---|---|
N0215A310007 Hint:N Historical performance (European Master of Early Music - EMEM) Accredited until 26. 10. 2029 |
Guarantor | |
---|---|
prof. Barbara Maria Willi, Ph.D., MBA |